Timothy Ouillette

Documentary Filmmaker · Educator · Creative Scholar

Profile

Documentary filmmaker, educator, and creative practitioner whose work spans nonfiction storytelling, visual journalism, television production, human-rights media, and emerging production technologies. More than two decades of teaching and professional production experience, including work for HBO, PBS, FRONTLINE, CNN, National Geographic, Discovery, Bloomberg, ESPN, and The New York Times. Current teaching and creative interests focus on artificial intelligence, documentary authenticity, multilingual workflows, ethics, visual evidence, and public trust.

Areas of Interest

  • Artificial intelligence and documentary practice
  • Documentary ethics, authenticity, visual evidence, and public trust
  • Nonfiction media, television production, and visual journalism
  • Media production pedagogy and creative practice research
  • Multilingual and transnational documentary workflows
  • Environmental, scientific, migration, and human-rights storytelling

Experience

Founder and Owner

2012 — Present

Munjoy Hill Media

  • Founded a documentary-focused S corporation serving broadcast, streaming, news, nonprofit, university, and commercial clients.
  • Selected clients and production partners include HBO, Warner Bros., The New York Times, Discovery, National Geographic, CNN, Bloomberg, NPR, Al Jazeera, ABC, Hearst, ESPN-related productions, Pulse Films, Wall to Wall, and Jimmy Kimmel Productions.

Teaching Professor

2013 — Present

Northeastern University, College of Arts, Media and Design

Teach documentary, television, sound, editing, and postproduction courses while maintaining an active professional practice.

  • Co-architected the Film and Creative Media undergraduate major through a six-year, cross-departmental curriculum process involving multiple department chairs, college committees, the dean, and the provost's office.
  • Integrated Runway, Sonix, and Adobe Creative Cloud tools into documentary and special-effects instruction while foregrounding ethics, authorship, disclosure, and responsible use.
  • Received the 2024 High Impact Teaching Award, one of ten college-wide awards recognizing classroom impact.
  • Chaired a college-wide Gear Refresh Committee overseeing approximately $500,000 in media-equipment planning and implementation.
  • Created the CAMD Media Showcase and participated in the Media Task Force, Arts, Entertainment and Media Task Force, promotion review, merit review, SXSW planning, and faculty hiring committees.
  • Mentored directed studies, connected graduates with professional opportunities, and placed students on productions distributed by Netflix, PBS, and ESPN.

Rostered Spanish Interpreter

2025 — Present

State of Maine Judicial Branch

Provide Spanish-English interpretation in criminal, civil, and family court matters.

Adjunct Faculty

2010 — 2012

University of Southern Maine, Communication Studies

Taught compositing and special effects, history of animation, motion graphics, Photoshop, After Effects, Premiere, Final Cut Pro, and independent study in multitrack audio production.

Film and Video Instructor

2003 — 2012

Oxford Hills Technical School

  • Developed and maintained a production curriculum spanning field production, editing, animation, visual effects, audio, and narrative filmmaking.
  • Founded a student film festival that continued beyond his tenure and connected student work with regional and national festivals.
  • Managed a media lab, network, equipment inventory, and annual budget of approximately $50,000.

Adjunct Faculty

2011

University of Hong Kong, Centre of Journalism and Broadcast Media

Developed a digital-storytelling syllabus for the Career Discoveries in Communication summer intensive in Shanghai, working with international correspondent Jim Laurie.

Adjunct Faculty

2011

University of New England, Writing for New Media

Taught early cinema, screenwriting, and short-film production.

Education

Art Institute of Boston

Master of Fine Arts in Visual Art, emphasis in Film

  • Thesis focused on participatory culture, social media, and read-only media.
  • Advisors: Oliver Wasow, Constanze Ruhm, and Julia Scher.
  • Mentors included Arnold Barkus, Bennett Morris, Virginia Valdes, and Caveh Zahedi.

University of Southern Maine

Bachelor of Arts in Communication, Minor in Theatre

Awards, Honors, Fellowships, and Project Recognition

High Impact Teaching Award

2024

Northeastern University, College of Arts, Media and Design

Peabody Award Nomination and Two National Emmy Award Nominations

2024

FRONTLINE: Breakdown in Maine

Full-Time Non-Tenure-Track Faculty Fellowship

2022

Northeastern University

Awarded a semester of research leave to develop and film Las Tortugas de El Zonte in El Salvador.

Emmy Award, Outstanding Documentary Series

2022

George Carlin's American Dream, HBO

Contributing cinematographer on the Emmy-winning series.

Boston/New England Emmy Nomination

2021

Multilingual COVID-19 public-service announcement

Boston/New England Emmy Award, Community/Public Service

2012

My Life My Choice

Motion-graphics artist and consultant.

Best Film

2015

Maine Outdoor Film Festival

Snapshot of a Skatepark.

Farmer/Artist Partnership Selection

2017

Maine Community Foundation / Harlow Gallery

One of 12 artists selected from 113 applicants for Imperishable.

Artificial Intelligence in Teaching and Creative Practice

  • Integrate generative and assistive AI into undergraduate documentary and postproduction courses through exercises in transcription, translation, summarization, scratch voiceover, image generation, and visual effects.
  • Frame AI as both a production tool and an object of critical inquiry, emphasizing disclosure, authorship, bias, representation, copyright, authenticity, and the evidentiary status of nonfiction images.
  • Developed an AI-assisted workflow for Las Tortugas de El Zonte using Sonix and Adobe Creative Cloud for multilingual transcription, translation, and interview summarization, and Runway for scratch-track voiceovers and selected visual-effects experiments.
  • Used Sonix and Adobe Creative Cloud translation workflows in educational media produced for the International Center on Nonviolent Conflict in Paris.
  • Current creative agenda examines how AI changes documentary production, media literacy, visual trust, and the teaching of nonfiction storytelling.

Selected Creative Scholarship and Professional Media Work

Current and Recent Work

Visual Investigation: Joan Sebastian Guerrero

2026

The New York Times

Video forensics and field research. Contributed to a visual-investigation team examining an ICE shooting in Maine. New York Times project link

Brendan Eyre: Alive and Well

2026

Gorilla Comedy+

Director and producer. Stand-up comedy special whose social clips received more than six million views during the first two weeks of release.

Kentucky Reproductive Freedom Fund Campaign

2025

Director and producer. Multi-platform reproductive-health campaign; reported results included 27,000 additional video completions, 43,000 additional engagements, and top-performing spots with click-through rates eight percent above comparable campaign content.

Suela Beag

2025

Director of photography and executive producer. Narrative film set in a Cape Cod captain's house.

International Center on Nonviolent Conflict Educational Series

2025

Paris, France

Cinematographer and producer. Educational media on civil resistance using AI-assisted translation workflows.

Las Tortugas de El Zonte

2024

Director, producer, cinematographer, and editor. Hybrid documentary/autobiography spanning 25 years and four narratives; two months of principal photography in El Salvador and an AI-assisted multilingual postproduction workflow.

FRONTLINE: Breakdown in Maine

2024

PBS FRONTLINE and Portland Press Herald

Cinematographer / director of photography. Investigation of the Lewiston mass shooting; project nominated for a Peabody Award and two National Emmy Awards.

Deep Water Salvage

2024

Renowned Films / The Weather Channel

Director and producer. Two episodes about maritime salvage off the Maine coast.

Documentary on PFAS and Human Health

2024

Content With Purpose

Shooting director and cinematographer. Interviewed and documented EPA personnel at a Superfund cleanup site in New Bedford, Massachusetts.

We Sign Nonetheless

2024

Upstander Project

Cinematographer and producer. Observational short following a musician, tattoo ritual, and questions of memory and meaning.

Safe Sets: Dying to Work in the Film Industry

2024

Cinematographer. Official selection, Los Angeles Film Festival.

International Center on Nonviolent Conflict Educational Series

2024

Paris, France

Director. Series on civil nonviolence using AI-assisted translation workflows.

Lewiston Mass Shooting Coverage

2023

The New York Times

Video reporting and research. Contributed to web-front-page coverage with a large multidisciplinary reporting team.

Hurricane Lee Coverage

2023

The New York Times

Video reporting.

Deep Water Salvage

2023

Renowned Films / The Weather Channel

Director and producer. Two episodes about a sunken barge off the Maine coast.

Selected Broadcast, Streaming, and Documentary Credits

George Carlin's American Dream

2022

HBO

Cinematographer; directed by Judd Apatow and Michael Bonfiglio. Winner of the Emmy Award for Outstanding Documentary Series.

Saved by a Shark

2022

National Geographic / Disney

Director of photography. Interview and b-roll production.

Prom-ish

2021

Hearst / Very Local

Director of photography. Cinema-verite documentary following students and communities during pandemic-era prom season.

Call to Earth: Atlantic Salmon

2021

CNN

Director and director of photography. Short documentary about salmon conservation and hatchery innovation in Maine.

America's Backroads: Winter Surfing in Maine

2021

HLN

Director, director of photography, host, and producer.

The World's Greatest Cemeteries

2021

American Public Television / PBS

Director of photography.

Bloomberg Interviews

2021

Bloomberg

Director and director of photography. Interviews on the Ferdinand Marcos class-action litigation and socially responsible investment.

Killers of the Cosmos

2020 — 2021

Discovery+ / Amazon Prime / Wall to Wall

Second-unit director and director of photography. Directed key dramatized sequences for a hybrid science series.

George Carlin's American Dream

2020

HBO

Cinematographer. Produced a multi-location remote interview workflow connecting Los Angeles, London, New York, and Maine.

Once Upon a Time in Queens

2020

ESPN 30 for 30 / Jimmy Kimmel Productions

Sound recordist. Recorded one of the final major interviews with writer Roger Angell.

Waylaid in Tijuana

2019 — 2020

Director. Documentary on U.S. asylum policy and its effects on migrants, advocates, and communities in Tijuana and San Diego.

Destination Backyard

2020

Headline News / Hearst

Director and director of photography.

Less Leg More Heart

2020

Hearst

Director and director of photography. Mini-documentary on support for people with limb loss.

Newsy: Toilet Paper Shortage

2020

Newsy

Director and director of photography.

Black Swimmers

2019

Al Jazeera

Director and director of photography. Mini-documentary following three siblings and their Olympic ambitions.

MyHeritage

2019

MyHeritage

Director and director of photography. Documented siblings meeting for the first time following a DNA match.

Ted Williams: The Greatest Hitter Who Ever Lived

2018

PBS American Masters

Cinematographer. National broadcast documentary featuring Roger Angell, Wade Boggs, Emily DiMaggio, and Bob Costas.

An Umbilical Cord's Journey from Turkey to Boston

2018

TRT Turkish Television

Director and director of photography.

Portland Summer Shortlist

2018

Travel + Leisure / Time Inc.

Director of photography.

Struggle for Recovery: Women's Stories from Northern Uganda

2017

Feinstein International Center

Producer, cinematographer, and editor. Thirty-minute documentary on postwar reparations, funded through UK Aid and Irish Aid.

Sexual Assault Among Humanitarian Workers

2017

Producer. Training film funded by Norway's Ministry of Foreign Affairs and the Dignitas Research Innovation Fund and used in humanitarian-worker training.

Digital Frontiers Institute Educational Series

2017

South Africa

Producer and director. Twelve-part series on microfinance and informal economies.

Imperishable

2017

Farmer/Artist Partnership

Filmmaker. Screened at Harlow Gallery and Engine Gallery with artist talks.

Snapshot of a Skatepark

2015

Director, cinematographer, and editor. Best Film, Maine Outdoor Film Festival; festival selections in Prague, Chamonix, and London.

Experimental and Mixed-Media Works

2010 — 2011

Writer, director, performer, and editor. Works include Sadie OXOX, As American As Apple Lies, When Prophecy Fails, Zagabits, My Ideal Self, and ROMDOS, DOSROM?

Selected Screenings, Panels, and Public Programs

Waylaid in Tijuana

Proyecto Habesha

2020

Migration Policy Centre, European University Institute

2020

SUDIMER, National Autonomous University of Mexico (UNAM), panel and screening

2020

Henry J. Leir Institute, Fletcher School, Tufts University, virtual screening and panel

2020

El Colegio de la Frontera Norte (COLEF), screening and discussion

2020

Southern Political Science Association Annual Meeting, San Juan, Puerto Rico

2020

Instituto Matias Romero, Mexico City

2019

Northeastern University

2019

Fletcher School, Tufts University

2019

Struggle for Recovery: Women's Stories from Northern Uganda

Overseas Development Institute, London

2017

Emerson College, screening and talk

2017

Northeastern University, screening and talk

2017

Kampala, Uganda

2017

Portland Public Library, public screening and community panel

2017

King Middle School, educational screening

2017

Additional Festival and Gallery Presentations

Imperishable, Harlow Gallery and Engine Gallery, screenings and artist talks

2017

Snapshot of a Skatepark, International Festival of Outdoor Films, Prague

2016

Snapshot of a Skatepark, Rise of the Drones Film Festival, Chamonix and London

2015

Experimental works presented at Ambient Film Festival, Art Institute of Boston Film Festival, MTS Gallery in Anchorage, and MAGMART International Video Art Festival in Naples

2009 — 2011

Teaching

Courses Taught

  • Documentary Production
  • Television Field Production
  • Television Studio Production
  • Sound Production for Digital Media
  • Digital Editing for Television
  • Special Effects and Postproduction for Television
  • Video Basics
  • Audio Production
  • Photoshop and After Effects
  • YouTube, Vimeo, and Vine
  • Writing for New Media
  • History of Animation

Curriculum, Mentoring, and Pedagogy

  • Designed and delivered production curricula across introductory, intermediate, advanced, online, and independent-study formats.
  • Created online versions of Special Effects and Postproduction and other media-production courses.
  • Use project-based instruction that combines technical craft, historical and critical context, collaboration, ethical decision-making, and authentic audiences.
  • Mentored undergraduate filmmakers through directed studies, field productions, internships, portfolio development, and professional placements.
  • Brought students onto professional productions and created paid production opportunities through nonprofit, documentary, and live-event work.
  • Revised sound-production curriculum to support broader faculty adoption and more consistent learning outcomes.

Invited Talks, Workshops, and Guest Teaching

Guest Lecture, Introduction to Film

2020

Northeastern University

Guest Speaker, MFA Workshop on Cinematography

2019

Filming in Remote Locations

2017

Undergraduate documentary filmmaking, Emerson College

Public and Classroom Talks Connected to Struggle for Recovery

2017

Film and Photography for Humanitarian and Policy Development

2016

Master of Arts in Humanitarian Assistance, Tufts University

Telling Your Policy Story Through Film

2016

Fletcher School of Law and Diplomacy

One-Day Media Workshop for International Central-Bank and Policy Leaders

2016

Fletcher School

Telling Your Story: Filmmaking and Editing Stories of Financial Inclusion

2015

Fletcher Leadership Program for Financial Inclusion

Media Workshop for Feinstein International Center Researchers

2015

Interviews and communicating complex research to policymakers

Realities of Filmmaking in Maine

2014

Maine Film and Video Association / Maine College of Art

Organizer and Panelist, Social Media and Its Effects on Filmmaking

2012

University of Southern Maine

Panelist, Filmmaking in Maine

2012

Portland Film Festival / Maine College of Art

Institutional Service

Northeastern University / College of Arts, Media and Design

  • Co-architect, Film and Creative Media undergraduate major; coordinated a six-year cross-departmental development and approval process.
  • Chair, Gear Refresh Committee; led college-wide planning for approximately $500,000 in media equipment.
  • Member, Media Task Force and Media Services Organization Task Force.
  • Member, Arts, Entertainment and Media Task Force.
  • Creator, CAMD Media Showcase.
  • Member, promotion committee for teaching professors.
  • Member, merit review committees.
  • Member, faculty searches in media services, podcasting, digital storytelling, journalism, and communication studies.
  • Member, South by Southwest planning committee.
  • Developed lab, field-production, audio, server, and equipment budgets; maintained and upgraded production infrastructure.
  • Delivered college-wide equipment and production workshops for faculty and students.

Professional and Community Service

Director, Maine Student Film and Video Festival

2008 — 2011

Coordinated submissions, judging, promotion, and programming with the Maine International Film Festival.

Founding Board Member, Portland Music Foundation

2006 — 2008

Founder and Organizer, Advanced Communications Night

2004 — 2012

Student film festival, Oxford Hills Technical School

Pro Bono Documentary and Media Work

Abortion Care Network, Yes to Youth, and humanitarian-training initiatives.

Public Screenings and Community Discussions

Ugandan, South Sudanese, migration-policy, and human-rights communities.

Member, Maine Film Association / Maine Film and Video Association

2004 — 2021

Member, New England Media Coalition

2010 — 2016

Licenses, Certifications and Technical Practice

FAA Remote Pilot Certificate, Part 107

2017 — Present

Production Practice

Documentary directing, cinematography, field sound, editing, visual effects, studio and multicamera production, drone cinematography, remote interview workflows, and multilingual postproduction.

Languages

Spanish

ACTFL Oral Proficiency Interview: Advanced Low.

English

Fluent / native proficiency.

Selected Creative Work Links